Difference between revisions of "Avolites Diamond II (Q31766)"
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(Created claim: Internal image (P24): Avolites_Diamond_II_1993.jpg) | (Created claim: context (P47): The Diamond II debuted at PLASA in 1993, followed by the Diamond III a couple of years later. They were designed to meet the need to control large lighting rigs with multi-parameter instruments. They offered 1024 HTP or LTP channels, 100 pages of submaster playbacks (30/20 of which were submasters), 180 Penny & Giles motorised faders, 3,071 control channels, 6 full-speed isolated DMX outputs, as well as ultra-smooth optical encoders, shape genera...) | ||
Property / context | |||
+ | The Diamond II debuted at PLASA in 1993, followed by the Diamond III a couple of years later. They were designed to meet the need to control large lighting rigs with multi-parameter instruments. They offered 1024 HTP or LTP channels, 100 pages of submaster playbacks (30/20 of which were submasters), 180 Penny & Giles motorised faders, 3,071 control channels, 6 full-speed isolated DMX outputs, as well as ultra-smooth optical encoders, shape generator, fan mode and highlight functions, colour VGA outputs and 'Add' and 'Swap' buttons on Master and Channels. Both came with full-sized Qwerty keyboards and were compatible with Avolites Graphics Tablet and riggers remote control. The Diamonds quickly became renowned for being the ultimate live-performance consoles. (English) | ||
Property / context: The Diamond II debuted at PLASA in 1993, followed by the Diamond III a couple of years later. They were designed to meet the need to control large lighting rigs with multi-parameter instruments. They offered 1024 HTP or LTP channels, 100 pages of submaster playbacks (30/20 of which were submasters), 180 Penny & Giles motorised faders, 3,071 control channels, 6 full-speed isolated DMX outputs, as well as ultra-smooth optical encoders, shape generator, fan mode and highlight functions, colour VGA outputs and 'Add' and 'Swap' buttons on Master and Channels. Both came with full-sized Qwerty keyboards and were compatible with Avolites Graphics Tablet and riggers remote control. The Diamonds quickly became renowned for being the ultimate live-performance consoles. (English) / rank | |||
+ | Normal rank | ||
Property / context: The Diamond II debuted at PLASA in 1993, followed by the Diamond III a couple of years later. They were designed to meet the need to control large lighting rigs with multi-parameter instruments. They offered 1024 HTP or LTP channels, 100 pages of submaster playbacks (30/20 of which were submasters), 180 Penny & Giles motorised faders, 3,071 control channels, 6 full-speed isolated DMX outputs, as well as ultra-smooth optical encoders, shape generator, fan mode and highlight functions, colour VGA outputs and 'Add' and 'Swap' buttons on Master and Channels. Both came with full-sized Qwerty keyboards and were compatible with Avolites Graphics Tablet and riggers remote control. The Diamonds quickly became renowned for being the ultimate live-performance consoles. (English) / qualifier | |||
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Revision as of 12:34, 21 July 2023
No description defined
Language | Label | Description | Also known as |
---|---|---|---|
English | Avolites Diamond II | No description defined |
Statements
The Diamond II debuted at PLASA in 1993, followed by the Diamond III a couple of years later. They were designed to meet the need to control large lighting rigs with multi-parameter instruments. They offered 1024 HTP or LTP channels, 100 pages of submaster playbacks (30/20 of which were submasters), 180 Penny & Giles motorised faders, 3,071 control channels, 6 full-speed isolated DMX outputs, as well as ultra-smooth optical encoders, shape generator, fan mode and highlight functions, colour VGA outputs and 'Add' and 'Swap' buttons on Master and Channels. Both came with full-sized Qwerty keyboards and were compatible with Avolites Graphics Tablet and riggers remote control. The Diamonds quickly became renowned for being the ultimate live-performance consoles. (English)
0 references
1993
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