Difference between revisions of "Hearing through the théâtrophone: Sonically constructed spaces and embodied listeningin late nineteenth-century French theatre (Q34022)"
From CanonBase
(Created claim: country of citizenship (P83): USA (Q694)) | (Created claim: mentions (P78): Theatrophone (Q15905)) | ||||||||||||||
| (19 intermediate revisions by the same user not shown) | |||||||||||||||
| label / en | label / en | ||||||||||||||
| - | + | Hearing through the théâtrophone: Sonically constructed spaces and embodied listeningin late nineteenth-century French theatre | |||||||||||||
| description / en | description / en | ||||||||||||||
| - | |||||||||||||||
| Property / Type of information | |||||||||||||||
| - | |||||||||||||||
| Property / Type of information: Person / rank | |||||||||||||||
| - | |||||||||||||||
| Property / Field | |||||||||||||||
| - | |||||||||||||||
| Property / Field: architecture / rank | |||||||||||||||
| - | |||||||||||||||
| Property / occupation | |||||||||||||||
| - | |||||||||||||||
| Property / occupation: architect / rank | |||||||||||||||
| - | |||||||||||||||
| Property / date of birth | |||||||||||||||
| - |
| ||||||||||||||
| Property / date of birth: 1889 / rank | |||||||||||||||
| - | |||||||||||||||
| Property / Date of death | |||||||||||||||
| - |
| ||||||||||||||
| Property / Date of death: 20 August 1927Gregorian / rank | |||||||||||||||
| - | |||||||||||||||
| Property / context | |||||||||||||||
| - | |||||||||||||||
| Property / context: Reginald Wycliffe Geare (1889 – August 20, 1927) was an American architect known for his design of theaters. His career was ended by the Knickerbocker Theatre disaster (January 28, 1922), when a record snowfall collapsed the theater's flat roof, killing 98. (English) / rank | |||||||||||||||
| - | |||||||||||||||
| Property / country of citizenship | |||||||||||||||
| - | |||||||||||||||
| Property / country of citizenship: USA / rank | |||||||||||||||
| - | |||||||||||||||
| Property / Type of information | |||||||||||||||
| + | |||||||||||||||
| Property / Type of information: source / rank | |||||||||||||||
| + | Normal rank | ||||||||||||||
| Property / Type of information: source / qualifier | |||||||||||||||
| + | |||||||||||||||
| Property / Field | |||||||||||||||
| + | |||||||||||||||
| Property / Field: sound, music and amplification / rank | |||||||||||||||
| + | Normal rank | ||||||||||||||
| Property / Copy available online | |||||||||||||||
| + | |||||||||||||||
| Property / Copy available online: https://www.researchgate.net/publication/330582631_Hearing_through_the_theatrophone_Sonically_constructed_spaces_and_embodied_listening_in_the_late_nineteenth-century_French_theatre / rank | |||||||||||||||
| + | Normal rank | ||||||||||||||
| Property / Backup document | |||||||||||||||
| + | |||||||||||||||
| Property / Backup document: https://www.researchgate.net/publication/330582631_Hearing_through_the_theatrophone_Sonically_constructed_spaces_and_embodied_listening_in_the_late_nineteenth-century_French_theatre / rank | |||||||||||||||
| + | Normal rank | ||||||||||||||
| Property / publisher | |||||||||||||||
| + | |||||||||||||||
| Property / publisher: SoundEffects journal / rank | |||||||||||||||
| + | Normal rank | ||||||||||||||
| Property / author | |||||||||||||||
| + | |||||||||||||||
| Property / author: Melissa Van Drie / rank | |||||||||||||||
| + | Normal rank | ||||||||||||||
| Property / mentions | |||||||||||||||
| + | |||||||||||||||
| Property / mentions: Theatrophone / rank | |||||||||||||||
| + | Normal rank | ||||||||||||||
Latest revision as of 17:04, 30 September 2024
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Hearing through the théâtrophone: Sonically constructed spaces and embodied listeningin late nineteenth-century French theatre | No description defined |