Difference between revisions of "Hearing through the théâtrophone: Sonically constructed spaces and embodied listeningin late nineteenth-century French theatre (Q34022)"

Latest revision as of 17:04, 30 September 2024

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English	Hearing through the théâtrophone: Sonically constructed spaces and embodied listeningin late nineteenth-century French theatre	No description defined

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sound, music and amplification

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author

Melissa Van Drie

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Copy available online

https://www.researchgate.net/publication/330582631_Hearing_through_the_theatrophone_Sonically_constructed_spaces_and_embodied_listening_in_the_late_nineteenth-century_French_theatre

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Backup document

https://www.researchgate.net/publication/330582631_Hearing_through_the_theatrophone_Sonically_constructed_spaces_and_embodied_listening_in_the_late_nineteenth-century_French_theatre

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@@ label / en / label / en @@
-Reginald Geare
+Hearing through the théâtrophone: Sonically constructed spaces and embodied listeningin late nineteenth-century French theatre
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+https://www.researchgate.net/publication/330582631_Hearing_through_the_theatrophone_Sonically_constructed_spaces_and_embodied_listening_in_the_late_nineteenth-century_French_theatre
+Normal rank
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+https://www.researchgate.net/publication/330582631_Hearing_through_the_theatrophone_Sonically_constructed_spaces_and_embodied_listening_in_the_late_nineteenth-century_French_theatre
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+Melissa Van Drie
@@ Property / author: Melissa Van Drie / rank @@
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+Theatrophone
@@ Property / mentions: Theatrophone / rank @@
+Normal rank

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Difference between revisions of "Hearing through the théâtrophone: Sonically constructed spaces and embodied listeningin late nineteenth-century French theatre (Q34022)"

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