Difference between revisions of "Avolites Diamond III (Q31767)"
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(Created claim: First use date (P111): 1995) | (Created claim: context (P47): The Diamond II debuted at PLASA in 1993, followed by the Diamond III a couple of years later. They were designed to meet the need to control large lighting rigs with multi-parameter instruments. They offered 1024 HTP or LTP channels, 100 pages of submaster playbacks (30/20 of which were submasters), 180 Penny & Giles motorised faders, 3,071 control channels, 6 full-speed isolated DMX outputs, as well as ultra-smooth optical encoders, shape genera...) | ||
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| Property / Manufacturer: Avolites / rank | |||
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| Property / Internal image: Avolites_Diamond_III_1995.jpg / rank | |||
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| + | The Diamond II debuted at PLASA in 1993, followed by the Diamond III a couple of years later. They were designed to meet the need to control large lighting rigs with multi-parameter instruments. They offered 1024 HTP or LTP channels, 100 pages of submaster playbacks (30/20 of which were submasters), 180 Penny & Giles motorised faders, 3,071 control channels, 6 full-speed isolated DMX outputs, as well as ultra-smooth optical encoders, shape generator, fan mode and highlight functions, colour VGA outputs and 'Add' and 'Swap' buttons on Master and Channels. Both came with full-sized Qwerty keyboards and were compatible with Avolites Graphics Tablet and riggers remote control. The Diamonds quickly became renowned for being the ultimate live-performance consoles. (English) | ||
| Property / context: The Diamond II debuted at PLASA in 1993, followed by the Diamond III a couple of years later. They were designed to meet the need to control large lighting rigs with multi-parameter instruments. They offered 1024 HTP or LTP channels, 100 pages of submaster playbacks (30/20 of which were submasters), 180 Penny & Giles motorised faders, 3,071 control channels, 6 full-speed isolated DMX outputs, as well as ultra-smooth optical encoders, shape generator, fan mode and highlight functions, colour VGA outputs and 'Add' and 'Swap' buttons on Master and Channels. Both came with full-sized Qwerty keyboards and were compatible with Avolites Graphics Tablet and riggers remote control. The Diamonds quickly became renowned for being the ultimate live-performance consoles. (English) / rank | |||
| + | Normal rank | ||
| Property / context: The Diamond II debuted at PLASA in 1993, followed by the Diamond III a couple of years later. They were designed to meet the need to control large lighting rigs with multi-parameter instruments. They offered 1024 HTP or LTP channels, 100 pages of submaster playbacks (30/20 of which were submasters), 180 Penny & Giles motorised faders, 3,071 control channels, 6 full-speed isolated DMX outputs, as well as ultra-smooth optical encoders, shape generator, fan mode and highlight functions, colour VGA outputs and 'Add' and 'Swap' buttons on Master and Channels. Both came with full-sized Qwerty keyboards and were compatible with Avolites Graphics Tablet and riggers remote control. The Diamonds quickly became renowned for being the ultimate live-performance consoles. (English) / qualifier | |||
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Latest revision as of 12:33, 21 July 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Avolites Diamond III | No description defined |
Statements
The Diamond II debuted at PLASA in 1993, followed by the Diamond III a couple of years later. They were designed to meet the need to control large lighting rigs with multi-parameter instruments. They offered 1024 HTP or LTP channels, 100 pages of submaster playbacks (30/20 of which were submasters), 180 Penny & Giles motorised faders, 3,071 control channels, 6 full-speed isolated DMX outputs, as well as ultra-smooth optical encoders, shape generator, fan mode and highlight functions, colour VGA outputs and 'Add' and 'Swap' buttons on Master and Channels. Both came with full-sized Qwerty keyboards and were compatible with Avolites Graphics Tablet and riggers remote control. The Diamonds quickly became renowned for being the ultimate live-performance consoles. (English)
0 references
1995
0 references