Difference between revisions of "Avolites Diamond II (Q31766)"
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(Created claim: Field (P19): lighting and projection (Q7)) | (Created claim: Internal document (P71): Avolites_Diamond_II_manual.pdf) | ||||||||||||||
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| Property / Manufacturer: Avolites / rank | |||||||||||||||
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| Property / First use date | |||||||||||||||
| + | 1993
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| Property / First use date: 1993 / rank | |||||||||||||||
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| Property / Internal image | |||||||||||||||
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| Property / Internal image: Avolites_Diamond_II_1993.jpg / rank | |||||||||||||||
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| + | The Diamond II debuted at PLASA in 1993, followed by the Diamond III a couple of years later. They were designed to meet the need to control large lighting rigs with multi-parameter instruments. They offered 1024 HTP or LTP channels, 100 pages of submaster playbacks (30/20 of which were submasters), 180 Penny & Giles motorised faders, 3,071 control channels, 6 full-speed isolated DMX outputs, as well as ultra-smooth optical encoders, shape generator, fan mode and highlight functions, colour VGA outputs and 'Add' and 'Swap' buttons on Master and Channels. Both came with full-sized Qwerty keyboards and were compatible with Avolites Graphics Tablet and riggers remote control. The Diamonds quickly became renowned for being the ultimate live-performance consoles. (English) | ||||||||||||||
| Property / context: The Diamond II debuted at PLASA in 1993, followed by the Diamond III a couple of years later. They were designed to meet the need to control large lighting rigs with multi-parameter instruments. They offered 1024 HTP or LTP channels, 100 pages of submaster playbacks (30/20 of which were submasters), 180 Penny & Giles motorised faders, 3,071 control channels, 6 full-speed isolated DMX outputs, as well as ultra-smooth optical encoders, shape generator, fan mode and highlight functions, colour VGA outputs and 'Add' and 'Swap' buttons on Master and Channels. Both came with full-sized Qwerty keyboards and were compatible with Avolites Graphics Tablet and riggers remote control. The Diamonds quickly became renowned for being the ultimate live-performance consoles. (English) / rank | |||||||||||||||
| + | Normal rank | ||||||||||||||
| Property / context: The Diamond II debuted at PLASA in 1993, followed by the Diamond III a couple of years later. They were designed to meet the need to control large lighting rigs with multi-parameter instruments. They offered 1024 HTP or LTP channels, 100 pages of submaster playbacks (30/20 of which were submasters), 180 Penny & Giles motorised faders, 3,071 control channels, 6 full-speed isolated DMX outputs, as well as ultra-smooth optical encoders, shape generator, fan mode and highlight functions, colour VGA outputs and 'Add' and 'Swap' buttons on Master and Channels. Both came with full-sized Qwerty keyboards and were compatible with Avolites Graphics Tablet and riggers remote control. The Diamonds quickly became renowned for being the ultimate live-performance consoles. (English) / qualifier | |||||||||||||||
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| Property / Internal document | |||||||||||||||
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| Property / Internal document: Avolites_Diamond_II_manual.pdf / rank | |||||||||||||||
| + | Normal rank | ||||||||||||||
Latest revision as of 12:37, 21 July 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Avolites Diamond II | No description defined |
Statements
The Diamond II debuted at PLASA in 1993, followed by the Diamond III a couple of years later. They were designed to meet the need to control large lighting rigs with multi-parameter instruments. They offered 1024 HTP or LTP channels, 100 pages of submaster playbacks (30/20 of which were submasters), 180 Penny & Giles motorised faders, 3,071 control channels, 6 full-speed isolated DMX outputs, as well as ultra-smooth optical encoders, shape generator, fan mode and highlight functions, colour VGA outputs and 'Add' and 'Swap' buttons on Master and Channels. Both came with full-sized Qwerty keyboards and were compatible with Avolites Graphics Tablet and riggers remote control. The Diamonds quickly became renowned for being the ultimate live-performance consoles. (English)
0 references
1993
0 references