Difference between revisions of "The Stage, the screen and the space between: Re-thinking projected imagery in live performance (Q28163)"
From CanonBase
(Changed claim: context (P47): This thesis explores the use of moving image projection technologies in stage performance as it relates to dramaturgical and scenographic aspects. Projection techniques have been used in theatre since the seventeenth century, but it is not until the advent of cinema that the moving image begins to considerably influence stage practices including narrative, mise en scene, acting and spectatorial relations as well as the construction of stage space...) | (Removed claim: Canon source Id (P369): 907, #quickstatements; #temporary_batch_1743590302320) | ||
| (15 intermediate revisions by 2 users not shown) | |||
| Property / Canon image id | |||
| - | |||
| Property / Canon image id: Boivin_MA_F2010.pdf / rank | |||
| - | |||
| Property / mentions | |||
| + | |||
| Property / mentions: Adolphe Appia / rank | |||
| + | Normal rank | ||
| Property / mentions | |||
| + | |||
| Property / mentions: Edward Gordon Craig / rank | |||
| + | Normal rank | ||
| Property / mentions | |||
| + | |||
| Property / mentions: Vsévolod Meyerhold / rank | |||
| + | Normal rank | ||
| Property / mentions | |||
| + | |||
| Property / mentions: Emile Jaques Dalcroze / rank | |||
| + | Normal rank | ||
| Property / mentions | |||
| + | |||
| Property / mentions: Erwin Piscator / rank | |||
| + | Normal rank | ||
| Property / mentions | |||
| + | |||
| Property / mentions: Peter Brook / rank | |||
| + | Normal rank | ||
| Property / mentions | |||
| + | |||
| Property / mentions: Robert Lepage / rank | |||
| + | Normal rank | ||
| Property / mentions | |||
| + | |||
| Property / mentions: virtual reality / rank | |||
| + | Normal rank | ||
| Property / mentions | |||
| + | |||
| Property / mentions: image / rank | |||
| + | Normal rank | ||
| Property / mentions | |||
| + | |||
| Property / mentions: Sergei Eisenstein / rank | |||
| + | Normal rank | ||
| Property / mentions | |||
| + | |||
| Property / mentions: multimedia / rank | |||
| + | Normal rank | ||
| Property / language | |||
| + | |||
| Property / language: English / rank | |||
| + | Normal rank | ||
| Property / Canon documents public id | |||
| + | |||
| Property / Canon documents public id: 907 / rank | |||
| + | Normal rank | ||
Latest revision as of 10:44, 2 April 2025
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | The Stage, the screen and the space between: Re-thinking projected imagery in live performance | No description defined |
Statements
Type of information
Field
language
Publication date
15 September 2010
0 references
Copy available online
context
This thesis explores the use of moving image projection technologies in stage performance as it relates to dramaturgical and scenographic aspects. Projection techniques have been used in theatre since the seventeenth century, but it is not until the advent of cinema that the moving image begins to considerably influence stage practices including narrative, mise en scene, acting and spectatorial relations as well as the construction of stage space. This thesis traces the history of interconnectivity between screen media (film, video and digital imagery) and theatre in order to better understand critical issues that continue to challenge both stage practitioners and theorists today, in particular regarding the relation of actors and stage design to the screen image. This analysis also brings to light the long-lasting struggle of the stage between two-dimensional image reproduction and creation techniques and three-dimensional stage architecture and performing bodies. This thesis uses a combination of critical and historical writings with personal experience and interviews to draw insights into how the stage and screen, two mediums with distinct ontologies, may be reconciled. (English)
0 references
author (txt)
Cathleen Boivin (English)
0 references
mentions
Canon documents public id